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・ Soul Mates (TV series)
・ Soul Meeting
・ Soul Meets Body
・ Soul Men
・ Soul Men (album)
・ Soul Merchant
・ Soul Message
・ Soul Metamorphosis
・ Soul Militia
・ Soul Mining
・ Soul Mist!
・ Soul Mountain
・ Soul Mountain Retreat
・ Soul Mover
・ Soul Murder
Soul music
・ Soul music (disambiguation)
・ Soul Music (novel)
・ Soul Music (TV series)
・ Soul Muzik
・ Soul My Way
・ Soul Mystique
・ Soul Night/Live!
・ Soul Nomad & the World Eaters
・ Soul of a Man
・ Soul of a Man (Eric Burdon album)
・ Soul of a Man (song)
・ Soul of a New Machine
・ Soul of a Robot
・ Soul of a Songwriter


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Soul music : ウィキペディア英語版
Soul music

Soul is a popular music genre that originated in the United States in the 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues and jazz. Soul music became popular for dancing and listening in the United States; where record labels such as Motown, Atlantic and Stax were influential in the civil rights era. Soul also became popular around the world, directly influencing rock music and the music of Africa.
According to the Rock and Roll Hall of Fame, soul is "music that arose out of the black experience in America through the transmutation of gospel and rhythm & blues into a form of funky, secular testifying".〔(Otis Redding )〕 Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the soloist and the chorus, and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls and auxiliary sounds.
Soul music dominated the U.S. R&B chart in the 1960s, and many recordings crossed over into the pop charts in the U.S., Britain and elsewhere. By 1968, the soul music genre had begun to splinter. Some soul artists developed funk music, while other singers developed slicker, more sophisticated, and in some cases more politically conscious varieties.〔 By the early 1970s, soul music had been influenced by psychedelic rock and other genres. The United States saw the development of neo soul around 1994. There are also several other subgenres and offshoots of soul music.
The key subgenres of soul include the Detroit (Motown) style, a rhythmic music influenced by gospel; ''deep soul'' and ''southern soul'', a driving, energetic soul style combining R&B with southern gospel music sounds; Memphis soul, a shimmering, sultry style; New Orleans soul, which came out of the rhythm and blues style; Chicago soul, a light gospel-influenced sound; Philadelphia soul, a lush orchestral sound with doo-wop-inspired vocals; Psychedelic soul, a blend of psychedelic rock and soul music; as well as categories such as Blue-eyed soul, music performed by white artists; British soul; and Northern soul, rare soul music played by DJs at nightclubs in Northern England.
== Origins ==
Soul music has its roots in traditional African-American gospel music and rhythm and blues, and the hybridization of their respective religious and secular styles, in both lyrical content and instrumentation, that began to occur in the 1950s. According to musicologist Barry Hansen,〔Barry Hansen, ''Rhythm and Gospel'', in Jim Miller (ed.), ''The Rolling Stone Illustrated History of Rock & Roll'', 1976, pp. 15–18.〕
Though this hybrid produced a clutch of hits in the R&B market in the early Fifties, only the most adventurous white fans felt its impact at the time; the rest had to wait for the coming of soul music in the Sixties to feel the rush of rock and roll sung gospel-style.

According to another source, "Soul music was the result of the urbanization and commercialization of rhythm and blues in the '60s."〔(''About Soul'', Allmusic.com ). Retrieved 11 July 2013〕 The phrase "soul music" itself, referring to gospel-style music with secular lyrics, is first attested in 1961.〔("Soul" at Online Etymological Dictionary )〕 The term 'soul' in African-American parlance has connotations of African-American pride and culture. Gospel groups in the 1940s and 1950s occasionally used the term as part of their name. The jazz that self-consciously derived from gospel came to be called soul jazz. As singers and arrangers began using techniques from gospel and soul jazz in African-American popular music during the 1960s, soul music gradually functioned as an umbrella term for the African-American popular music at the time.〔(Richie Unterberger, "Little Richard – Artist Biography" ), AllMusic.com.〕
Important innovators whose recordings in the 1950s contributed to the emergence of soul music included Clyde McPhatter, Hank Ballard, and Etta James.〔 Ray Charles is often cited as popularizing the soul genre with his string of hits starting with 1954's "I Got a Woman". Singer Bobby Womack said: "Ray was the genius. He turned the world onto soul music."〔( BBC Music, Episode guides to ''Soul Deep – The Story Of Black Popular Music'', 2007 ). Retrieved 12 July 2013.〕 Charles was open in acknowledging the influence of Pilgrim Travelers vocalist Jesse Whitaker on his singing style.
Little Richard (who inspired Otis Redding〔White, Charles. (2003), p. 229. ''The Life and Times of Little Richard: The Authorised Biography.'' Omnibus Press.〕) and James Brown were equally influential. Brown was known as the "Godfather of Soul" and Richard proclaimed himself the "king of rockin' and rollin', rhythm and blues soulin'", because his music embodied elements of all three, and because he inspired artists in all three genres.〔Frederick Douglass Opie, ''Hog and Hominy: Soul Food from Africa to America'' (Columbia University Press, 2008), chapter 7.〕
Sam Cooke and Jackie Wilson are also often acknowledged as soul forefathers.〔 Cooke became popular as the lead singer of gospel group The Soul Stirrers, before controversially moving into secular music. His recording of "You Send Me" in 1957 launched a successful pop career, and his 1962 recording of "Bring It On Home To Me" has been described as "perhaps the first record to define the soul experience".〔Joe McEwen, ''Sam Cooke'', in Jim Miller (ed.), ''The Rolling Stone Illustrated History of Rock & Roll'', 1976, pp. 113–116.〕 Jackie Wilson, a contemporary of both Cooke and James Brown, also achieved crossover success in 1957 with "Reet Petite", and was particularly influential for his dramatic delivery and performances.〔Joe McEwen, ''Jackie Wilson'', in Jim Miller (ed.), ''The Rolling Stone Illustrated History of Rock & Roll'', 1976, pp. 117–119.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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